Thudarum, the latest Malayalam crime drama starring Mohanlal and Shobana, is a masterful blend of humor, emotion, and intense drama. Directed by Tharun Moorthy, the film begins with lighthearted moments, filled with self-deprecating humor and playful references to Mohanlal’s iconic roles. The first half feels reminiscent of Drishyam, with witty banter between the lead pair, but the narrative takes a sharp turn in the second half, shifting into a darker, revenge-driven tale. The seamless transition between tones showcases Tharun Moorthy’s storytelling prowess, making Thudarum a compelling watch.
At its core, Thudarum follows Shanmugham (Mohanlal), a taxi driver and former stuntman whose life turns chaotic when his beloved Ambassador car is seized by the police. What begins as a simple struggle to reclaim his car soon spirals into a gripping tale of power, injustice, and retribution. The film avoids glorifying its protagonist, instead grounding Shanmugham in realism while subtly building his heroic arc. The emotional weight of the story, particularly the family dynamics, adds depth, though some moments feel slightly forced. Nevertheless, the screenplay by Tharun Moorthy and K. R. Sunil keeps the audience invested with well-placed nuances.
Mohanlal delivers a career-defining performance, effortlessly transitioning from a lovable everyman to a brooding, vengeful figure. The film cleverly celebrates his legacy, referencing his past roles while allowing him to explore new dimensions. Shobana shines as Lalitha, bringing warmth and strength to her limited screen time. Binu Pappu is outstanding as SI Benny, portraying a cop whose arrogance fuels the conflict. The real surprise, however, is Prakash Varma as the chilling antagonist—his calm yet menacing presence elevates the tension, making him a standout villain.
Technically, Thudarum excels with Shaji Kumar’s tight cinematography, using shadows and silhouettes to amplify the second half’s intensity. The late Nishadh Yusuf and Shafeeque V. B.’s sharp editing ensures a gripping pace, while Jakes Bejoy’s folk-infused score heightens the drama. The film’s climax leans heavily into melodrama, lingering a tad too long, but the emotional payoff is satisfying. Moments like Shanmugham’s subtle smile at a pivotal scene add layers to the narrative, proving that Thudarum is more than just a revenge saga.
Thudarum is a triumph—a fan-service film done right. It pokes fun at Mohanlal’s cinematic journey before delivering a powerful story that showcases his versatility. While the emotional beats could have been tighter, the film’s strong performances, smart writing, and technical brilliance make it a must-watch. With its perfect balance of nostalgia and fresh storytelling, Thudarum proves why Mohanlal remains an enduring icon in Indian cinema.
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